Monday, 30 December 2024

THE 1993 PRINTING COST OF MY FIRST COMIC

  


I came across this invoice recently. It shows the amount I paid for 120 copies of my first comic, Time We Left 1, back in April 1993. According to the Bank of England's inflation calulator, £126 in today's money is £265.

Out of curiosity, I just got a quote from an online printer for 120 copies of my first comic (with the same specifications obviously) and the price was just over £100 (including delivery). So printing my first comic today would be way cheaper in real terms than 30 years ago. The printing quality would probably be much better too.

Also worth mentioning is the original cover price for TWL 1 was £1.

 

Tuesday, 24 December 2024

RUDE MUM

Rude Mum - unfunny

Here’s a rejection letter I got from VIZ back in 1993 after I submitted a cartoon for their consideration. It’s not really very surprising my Rude Mum cartoon was passed on as all it was was a straight forward reversal of their own Rude Kid gag which hadn’t featured in VIZ for a while.

Maybe I should have just had Rude Mum insulting her kid in an amusing fashion rather than have her commentating on Rude Kid’s absence from VIZ? Maybe I should have then bombarded VIZ with some extended family variations such as Rude Grandmother, Rude Aunt, Rude Second Cousin Once Removed etc. Alternatively, Rude Identical Twin, Rude Baby, Rude Unborn Child or even Rude Pet Goldfish could have been an avenue worth exploring? Okay, perhaps not.

 

 

It’s also worth noting that back in 1993, VIZ’s “Editorial Office” clearly had its own franking machine with a suitably amusing design in keeping with their corporate brand.

 

Rude Kid - funny

 
 

Thursday, 12 December 2024

Farewell 2000AD but before I go...

 


Four years after getting a letter published in 2000AD, I managed to gatecrash Tharg’s Nerve Centre once again, this time in Prog 504 (10 Jan 1987) when I had just turned 17. I have to confess that the story behind my second letter does not make me look particularly great unfortunately. The London address printed under my letter was obviously that of someone from the editorial team as they forwarded me a batch of no less than five letters from other Squaxx dek Thargos, including a whopper that was four (handwritten) pages long. To my unending shame, I didn't reply to any of those letters, which rather begs the question, why on earth did I write my second letter to 2000AD in the first instance? I don’t remember why I neglected to reply to those five letters I got, but laziness is probably the most likely reason. That said, I had rather fallen out of love with 2000AD by this time and I stopped buying it altogether with Prog 508, just four issues after my second letter saw print. What I do remember is my decision to cancel my 2000AD standing order was a really torturous one, one that I had been putting off for weeks. This decision was made all the more difficult by the fact that I had collected every issue of 2000AD since Prog 1 and so had the complete set as it were. That said, I couldn’t deny the reality that “The Galaxy’s Greatest Comic” was no longer Zarjaz enough for me.

It’s interesting to note that the 2000AD staff had some sort of safeguarding awareness way back in 1987. This is pretty ironic in my case as, by the age of 17, all the evidence available at the time clearly indicated I was developing into an “axe-wielding maniacal psycho type” myself, so the five 2000AD readers who made so much effort writing to me, clearly had a lucky escape.

Sunday, 1 December 2024

Sucking up to Tharg...

 


The first time I ever saw print in a national periodical came all the way back in 1983 when I had a letter printed in 2000AD Prog 344. Let me tell you, getting a letter published in 2000AD at the age of 13 was totally thrill-powered, as was receiving a postal order for £5 from The Mighty One himself. Writing Tharg a completely sycophantic letter was clearly a smart career move. Incidentally, I wasn't telling pork pies, I did indeed buy a second copy of Prog 335 as it came with a great poster of Judge Dredd (by art droid Ron Smith) which I wanted to preserve in mint condition for future generations to marvel over.

 

 

As an interesting aside, when I posted this youthful brush with fame in a Facebook comics' group recently it was pointed out to me in the comments section that the artist behind the "Barik, Space Mercenary" picture (bottom right) was Earthlet Eoin Coveney who went on to become a professional art droid for 2000AD itself! You can see examples of Eoin's excellent work for 2000AD here

 


 

Thursday, 7 November 2024

The arrival of LOST IN SPACE 2

Copies of my latest comic LOST IN SPACE 2 arrived this morning and it turned out really well, especially the cover which was expertly coloured by my mate Adi Sellers. I use the online printer MIXAM for all my publications and I can't reommend them highly enough. You can buy Lost In Space 2 for £7.50 incl p&p (UK only) from my online shop here

 


 

Monday, 13 May 2024

Paul A Hatcher meets Paul B Rainey

 


Had a very enjoyable lunch with author and comics artist Paul B Rainey in Milton Keynes on Saturday. We spent pretty much the whole afternoon talking comics but still felt we had plenty more to cover. Paul gave me a preview of the pages he’s so far completed for his new book Murder School (to be published by Drawn & Quarterly in early 2026) and it looked great. If you can’t wait for Murder School to come out then I highly recommend his excellent book Why Don’t You Love Me? (also by Drawn & Quarterly) which can purchased straight from Paul’s Big Cartel shop here alongside plenty of his other fine publications. Why Don't You Love Me? was given a fine review in The Guardian here so do check it out.